» » Wilhelm Furtwängler, Berliner Philharmoniker – Weber · Mendelssohn - Ouvertüren · Entr’acte-Musik · Aufforderung Zum Tanz

Wilhelm Furtwängler, Berliner Philharmoniker – Weber · Mendelssohn - Ouvertüren · Entr’acte-Musik · Aufforderung Zum Tanz mp3 herunterladen

Wilhelm Furtwängler, Berliner Philharmoniker – Weber · Mendelssohn - Ouvertüren · Entr’acte-Musik · Aufforderung Zum Tanz mp3 herunterladen
Darsteller: Wilhelm Furtwängler, Berliner Philharmoniker – Weber · Mendelssohn
Genre: Klassische
Titel: Ouvertüren · Entr’acte-Musik · Aufforderung Zum Tanz
MP3-Albumgröße: 2473 mb
FLAC-Albumgröße: 1951 mb
Stil: Classical, Romantic
Land: Germany
Freigegeben: 1978
Katalognummer: 2535 821
Etikett: Deutsche Grammophon


1Ouvertüre 9:42
2Der Freischütz
Composed By – Carl Maria von Weber
3Ein Sommernachtstraum Op. 21 · Ouvertüre
Composed By – Felix Mendelssohn Bartholdy
4Aufforderung Zum Tanz Op. 65
Composed By – Carl Maria von WeberOrchestrated By – Hector Berlioz
5Entr’acte-Musik (III. Akt)3:15
6Ouvertüre »Die Hebriden« (Fingalshöhle) Op. 26
Composed By – Felix Mendelssohn Bartholdy


  • Art DirectionL. Bode
  • Concept By, Supervised ByAlfred Kaine
  • ConductorWilhelm Furtwängler
  • DesignW. Koberstein
  • IllustrationB. Pankok
  • Liner NotesKarl Schumann
  • Liner Notes [Traduction]Jacques Fournier
  • Liner Notes [Translation]Peter Alexander
  • OrchestraBerliner Philharmoniker


Timing on track A3 is missing.

Recordings: 1935 (A1, A2) · 1930 (A3) · 1929 (B1) · 1932 (B2)
℗ 1935/1930/1929/1932 Polydor International GmbH


  • Label Code: LC 0173
  • Matrix / Runout (Runout side A): 2535 821 S1  320
  • Matrix / Runout (Runout side B): 2535 821 S 2 = 2  3 20
  • Other (Public Domain note): D. P.


  • Phonographic Copyright (p) – Polydor International GmbH
  • Copyright (c) – Karl Schumann
  • Printed By – Neef OHG, Wittingen


Furtwängler formed the Berliner Philharmoniker into his very own instrument, one that ingeniously realized his interpretation ideas. Beethoven, Brahms and Bruckner were the cornerstones of his repertoire, but he also championed contemporary composers like Prokofiev, Stravinsky, Bartók, Schönberg and Hindemith not always to the liking of the audience. Even triumphant successes with Wilhelm Furtwängler could not improve the Berliner Philharmonikers precarious financial situation. In 1933 the orchestra was in a particularly difficult existential crisis and saw only one way out: transforming into a national orchestra. Wilhelm Furtwängler is accorded almost mythical status to this day. Biographically and artistically rooted in the 19th century, he embodies a bridge to the late Romantic period and the founding years of the 2009 9 Songs. By Carl Maria von WeberBerlin Philharmonic & Wilhelm Furtwängler. Der Freischutz, J. 277: Act III: Entr'acte. Aufforderung Zum Tanze Invitation to the Dance, Op. 260 arr. Berlioz for Orchestra. Посмотреть сведения об участниках альбома, рецензии, композиции и приобрести альбом 1979 Vinyl от Symphonie Nr. 4 Manfred Ouvertüre, Ouverture Zu Euryanthe на Philharmoniker & Wilhelm Furtwängler. January 1, 2001. Exclusive Prime pricing. Wilhelm Furtwängler - Recordings 1942-1944. Please retry. Wilhelm Furtwängler. Weber: Der Freischutz. Your Rating. Overview . Berliner philarmoniker, Wilhelm Furtwängler: German conductor and composer. He is widely regarded as one of the greatest symphonic and operatic conductors of the 20th century. Furtwängler was principal conductor of the Berlin Philharmonic between 1922 and 1945, and from 1952 until 1954. Symphony No. 6 in F Major, Op. 68 Pastorale: V. German conductor and composer. Listen free to Wilhelm Furtwängler, Berliner Philharmoniker Wilhelm Furtwängler Conducts Ludwig van Beethoven, Pt. 1 Symphony No. 3 in E Minor, Op. 55 Eroica: I. Allegro con brio, Symphony No. 55 Eroica: II. Marcia funebre. Adagio assai and more. 4 tracks . Do you know any background info about this album Start the wiki. Allegro Vivace. Berliner Philharmoniker, Wilhelm Furtwängler. 0 faves. Taken on November 28, 2010. Find and follow posts tagged wilhelm furtwängler on Tumblr. The idea of composing a work based on Carl Maria von Webers music was first put forward to Hindemith in 1940 by the choreographer and dancer Léonide Massine, who suggested that Hindemith arrange music by Weber for a ballet. When Hindemith made a piano arrangement in March 1940 of the two pieces that would become movements 1 and 3 of the Metamorphosis, which in a letter of April 12, 1940 he described as lightly coloured and made a bit sharper , Massine expressed a preference for more strict arrangements of Weber. This was one reason the project fell through Luttmann 2009, 33536
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